 |
|  |  |  |  | The Heath Anthology of
American Literature, Fifth Edition
Paul Lauter, General Editor
|  |  |
 |  |
Royall Tyler
(1757-1826)
When Royall Tyler graduated from Harvard in July 1776, there was no
formal commencement for the senior class. Graduation was overshadowed by the
political turmoil resulting from the Declaration of Independence. Tyler went on
to distinguish himself by becoming a lawyer, a judge, an essayist, an author, a
professor, and the creator of The Contrast (1787), the first American
play to be professionally produced and commercially successful.
Royall Tyler was born
in Boston on July 18, 1757, the youngest of four children. His father was
Royall Tyler, a wealthy merchant actively involved in politics, and his mother
was Mary Steele, daughter of Captain John Steele. His birth name was William
Clark Tyler, but upon his father’s death in 1771, he legally changed it to Royall
Tyler at the request of his mother. He attended the Boston Latin School,
completing the seven years of study by the age of fifteen, and entered Harvard
on July 15, 1772. Tyler soon established a reputation as a good student with a
quick wit who was apparently quite the practical joker. One tale has him
sending a fishing line out of a dormitory window in order to catch a pig from
the yard below, only to hook the wig of Samuel Langdon, the school’s president.
Tyler was also considered rather flamboyant if not profligate for squandering
half of his inheritance while in college and during the years immediately
after.
After graduation,
Tyler began reading law, but in December his studies were interrupted when he
joined the Continental Army, initially serving under Colonel John Hancock. In
1778, Tyler became a major and an aide to General John Sullivan. In late 1778,
he returned to his legal studies, received his master’s degree from Harvard in
1779, and was admitted to the Massachusetts bar on August 19, 1780. Two years
later, he began his practice in Braintree, Massachusetts, eight miles outside
of Boston, where he roomed with the family of Mary and Richard Cranch. From
these associations Tyler met Abigail (“Nabby”) Adams, daughter of John and
Abigail. With John Adams dispatched to Europe, Abigail Adams reported on the
growing attachment between their seventeen-year-old-daughter and Tyler. In a
December 23, 1782, letter to John, she describes Tyler as having “a sprightly
fancy, a warm imagination and an agreeable person,” but then adds, “he was
rather negligent in pursueing (sic) his business...and dissipated two or 3
years of his Life and too much of his fortune for to reflect upon with
pleasure; all of which he now laments but cannot recall.” Although John Adams
admits that he was impressed by Tyler’s family and that he would prefer a
lawyer for his daughter, he was not “looking for a Poet, nor a Professor of
belle Letters.” The attachment was thus broken off, and in 1786, young
Abigail married Colonel William Stephens Smith. The match turned out to be an
unfortunate one because Smith repeatedly failed in business ventures. As for
Tyler, he was deeply depressed by the breakup and went into seclusion to live
with his mother in Jamaica Plain. By the fall of 1786, however, he had resumed
his law practice in Boston and begun boarding at the home of Joseph Pearse
Palmer.
In 1787, Tyler played
a role in suppressing Shays’s Rebellion, a group of dissident farmers led by
Daniel Shays fighting for land rights, and helped to negotiate a surrender.
These events brought Tyler to Vermont, where he would live for thirty-five
years. In 1790, Tyler briefly returned to Boston and renewed his acquaintance
with Mary Palmer, daughter of Joseph and Elizabeth Palmer. In the winter of
1793, he proposed marriage to the eighteen-year-old Mary but immediately
returned to Guildford, Vermont, to serve as the state’s attorney for Windham
County. They were married in 1794, a bond lasting thirty-two years, and had
eleven children. In 1812, Mary Tyler published Grandmother Tyler’s Book,
a compendium of advice on child rearing, which went into a second edition in
1818.
In 1801, Tyler was
elected to the Supreme Court of Vermont as an assistant judge at a salary of
$900 a year; in 1807, he was elected chief justice at a salary of $1,000. As a
circuit judge, Tyler spent ten months a year on the road. He was elected
assistant judge six times and chief justice six times. In 1802, he became a
trustee of the University of Vermont; in 1811, he was appointed professor of
jurisprudence, a position he held until 1814. In 1812, Tyler ran unsuccessfully
for the United States Senate. He lost in part because he had changed his
political affiliation from Federalist to Republican and the Federalists were,
at that moment, in power in Vermont. This defeat signaled a change in monetary
fortune for the Tylers, but Mary’s sewing and the generosity of family and
neighbors sustained them. Royall Tyler continued writing into the final years
of his life. He died on August 26, 1826, in Brattleboro, Vermont, after
suffering from facial cancer for ten years.
In addition to legal
tracts, Tyler wrote six plays, a musical drama, two long poems, a
semifictional travel narrative, The Yankey in London (1809), numerous
essays under the pseudonym “Spondee” with Joseph Dennie as “Colon,” the novel The
Algerine Captive (1797), and its unfinished revision, The Bay Boy.
Tyler is best known for The Contrast, a comedy that addresses class
issues with a series of contrasting characters: Jonathan, a rustic Yankee
character; Colonel Henry Manly, a virtuous though bombastic Revolutionary War
veteran; Billy Dimple, an English dandy; and Maria, a sentimental heroine
romantically mismatched at her father’s behest. Tyler wrote the play while in New
York in March 1787; he had been sent there to solicit the state’s support
against the rebellious farmers aligned with Daniel Shays. Allegedly, Tyler saw
a production of Richard Sheridan’s The School for Scandal (1777) and was
so inspired that he wrote The Contrast in less than a month. Tyler is
credited with creating a memorable American type, the Yankee, whose backwoods
dialect and humor became a model for other regional humorists, such as Augustus
Baldwin Longstreet, Thomas Bangs Thorpe, and Mark Twain. The Contrast
opened on April 16, 1787, at the John Street Theatre to successful reviews and
was immediately reproduced on April 18, May 2, and May 12, an unprecedented
four performances in one month. The play opened in Baltimore on August 12 and
in Philadelphia on December 10, where Thomas Wignell, a popular actor, read it.
The Contrast was published in Philadelphia in 1790, counting among its
subscribers George Washington. Although the form was adapted from English
drama, Tyler infused the play with a distinctively American theme, domestic
simplicity over European pretense.
|
Susan Clair
Imbarrato
Minnesota State
University Moorhead
| Texts
In the Heath Anthology
The Contrast, A Comedy in Five Acts
(1790)
Other Works
| Cultural Objects
There are no Cultural Objects for this author. Would you like to add a Cultural Object?
| Pedagogy
There are no pedagogical assignments or approaches for this author.
| Links
EAF Authors: Royall Tyler http://etext.lib.virginia.edu/eaf/authors/cal/rtCal.html
A substantive biography excerpted from the Cyclopaedia of American Literature.
Vermont Historical Society Library, Royall Tyler Collection http://www.state.vt.us/vhs/arccat/findaid/tyler.htm
While this site primarily describes the manuscripts available in the Collection, it also offers a brief biography.
| Secondary Sources
Ada Lou Carson and Herbert L. Carson, Royall Tyler, 1979
C.N. Davidson, Revolution and the Word: The Rise of the Novel in America, 1986
John Evelev, "The Contrast: The Problem of Theatricality and Political and Social Crisis in Post-Revolutionary America," Early American Literature, 311, 1996: 74-98
Jeffrey H. Richards, Theatre Enough: American Culture and the Metaphor of the World Stage, 1607-1789, 1991
G. Thomas Tanselle, Royall Tyler, 1967
|
|  |
|  |
|
|
|